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  <channel>
    <title>Blog</title>
    <link>http://www.riooccupationlondon.com/blog_holders/118/rss</link>
    <description>20 most recent entries</description>
    <language>en-gb</language>
    <item>
      <pubDate>Mon, 01 Oct 2012 18:45:00 +0000</pubDate>
      <title>THANK YOU!</title>
      <link>http://www.riooccupationlondon.com/blogs/1514/view</link>
      <guid>http://www.riooccupationlondon.com/blogs/1514/view</guid>
      <description>
&lt;p&gt;
	Rio Occupation London is now over after 30 epic days in London.&amp;nbsp;Our 30 groudbreaking Rio artists occupied more than 50 spaces, showing more than 250 works of art and performances for more than 37,000 people.&amp;nbsp;Thank you for helping us making the Occupation a great success!&amp;nbsp;&lt;/p&gt;
&lt;p&gt;
	&amp;nbsp;&lt;/p&gt;
      </description>
    </item>
    <item>
      <pubDate>Wed, 08 Aug 2012 10:30:00 +0000</pubDate>
      <title>Jo&#227;o Brasil presents Tropical Britannia</title>
      <link>http://www.riooccupationlondon.com/blogs/1399/view</link>
      <guid>http://www.riooccupationlondon.com/blogs/1399/view</guid>
      <description>
&lt;p&gt;
	&lt;img alt=&quot;&quot; height=&quot;750&quot; src=&quot;/pictures/0010/6146/JB1_wide_750.jpg&quot; width=&quot;750&quot; /&gt;As part of Rio Occupation London, Jo&amp;atilde;o Brasil chose five collaborators to record five tracks in five days. Isa GT, The Bumps, Moroka, Murlo &amp;amp; Rob Pollinate all brought their own unique styles to Joao&amp;rsquo;s studio and the finished tracks are &lt;a href=&quot;http://soundcloud.com/tropical-bass-britannia&quot;&gt;available&lt;/a&gt; on a mighty fine EP, for free!&lt;/p&gt;
&lt;p&gt;
	http://soundcloud.com/tropical-bass-britannia&lt;/p&gt;
      </description>
    </item>
    <item>
      <pubDate>Wed, 08 Aug 2012 10:08:00 +0000</pubDate>
      <title>NADA DO QUE ACONTECEU, &#201; MAIS IMPORTANTE QUE O ACONTECIMENTO EM SI</title>
      <link>http://www.riooccupationlondon.com/blogs/1397/view</link>
      <guid>http://www.riooccupationlondon.com/blogs/1397/view</guid>
      <description>
&lt;p&gt;
	&lt;img alt=&quot;&quot; height=&quot;431&quot; src=&quot;/pictures/0010/6111/Photo_blog_wide_750.jpg&quot; width=&quot;750&quot; /&gt;Escrever sobre o evento ou sobre as obras e seus resultados - finalizados ou em &amp;quot;working progress&amp;quot; - seria um mero fragmento.&lt;/p&gt;
&lt;p&gt;
	Digo mais, um recorte inveross&amp;iacute;mil, porque o maior legado desta viv&amp;ecirc;ncia foi o que se viveu.&lt;br /&gt;
	Este &amp;eacute; o grande projeto final destes artistas: a experi&amp;ecirc;ncia.&lt;br /&gt;
	O desafio de conviver e debater seus espa&amp;ccedil;os, seus mundos, seus horizontes, suas t&amp;eacute;cnicas, suas conquistas, suas ansiedades, suas provoca&amp;ccedil;&amp;otilde;es, seus desafios, suas limita&amp;ccedil;&amp;otilde;es, seus medos, seus absurdos, suas alegrias, suas tristezas, suas frustra&amp;ccedil;&amp;otilde;es, suas maturidades, suas grandezas e suas artes j&amp;aacute; eram anseios suficientes para n&amp;atilde;o caber em si.&lt;br /&gt;
	&lt;br /&gt;
	Transformar o que se viveu em algo concreto era um compromisso moral, mas conceitualmente n&amp;atilde;o era o mais importante, porque no fundo isso nunca representaria o TODO.&lt;br /&gt;
	Minha experi&amp;ecirc;ncia aqui foi enxergar de longe para entender onde orientar, al&amp;eacute;m de nos momentos tensos do processo de montagem final dar o play no bot&amp;atilde;o que dizia play.&lt;br /&gt;
	Ali&amp;aacute;s a montagem foi um movimento de supera&amp;ccedil;&amp;atilde;o para tornar o poss&amp;iacute;vel ficar extraordin&amp;aacute;rio. Parecia o Brasil. E era. A Inglaterra parou para ver e aprender.&lt;br /&gt;
	Naquele momento era Rio, s&amp;oacute; pensava no fundod e minha cuca: &amp;Eacute; n&amp;oacute;is.&lt;br /&gt;
	Todos do grupo queriam ansiosamente o fim da estrada, florida e solar, de prefer&amp;ecirc;ncia com uma caipirinha, e dentro de todas as auto-cobran&amp;ccedil;as que nos fazemos no dia-a-dia o que vale, &amp;eacute; lembrar, que cada um dos milh&amp;otilde;es de passos que daremos, ser&amp;atilde;o igualmente fundamentais. Assim ser&amp;aacute; sempre, mesmo que os 30 dias vividos aqui pare&amp;ccedil;am eternos, por isso cito um prov&amp;eacute;rbio chin&amp;ecirc;s (se n&amp;atilde;o for, me permitam esta licen&amp;ccedil;a po&amp;eacute;tica e passa a ser chin&amp;ecirc;s): &amp;quot;N&amp;atilde;o corra, caminhe sempre&amp;quot;; assim fica mais f&amp;aacute;cil observar, criar, ruminar, planejar, fazer, errar, corrigir e evoluir.&lt;br /&gt;
	&lt;br /&gt;
	Para a fa&amp;iacute;sca vingar, nada melhor que viver o RISCO, da imersiva conviv&amp;ecirc;ncia ao resultado art&amp;iacute;stico em si.&lt;br /&gt;
	Destaco al&amp;eacute;m do risco uma CORAGEM louv&amp;aacute;vel al&amp;eacute;m do inesgot&amp;aacute;vel espirito de colabora&amp;ccedil;&amp;atilde;o desta equipe de realizadores somado a uma generosidade infinita do gigante Paul, o que sempre &amp;eacute; lindo ver e guardar com a gente.&lt;br /&gt;
	&lt;br /&gt;
	Ambicioso como o projeto demonstrou ser, ouso aqui nestas linhas contrariar Olavo Bilac, que afirma numa de suas cr&amp;ocirc;nicas que &amp;quot;O Brasil &amp;eacute; a terra dos resignados&amp;quot;. Por mais que esta heran&amp;ccedil;a nos persiga, hoje temos uma clareza de quem somos e o reflexo disso &amp;eacute; que &amp;quot;o mundo quer ser Brasil&amp;quot;.&lt;br /&gt;
	Agora a nossa instrinseca e compulsiva vontade de pesquisar (uma maneira gentil de muitas vezes &amp;quot;copiar&amp;quot; os Europeus, os americanos..os ocidentais) se transformar&amp;aacute; num processo inverso e n&amp;atilde;o tenham duvidas, viveremos uma antropofagia ao inverso, o que nos permitir&amp;aacute; dizer que agora a &amp;quot;Nau &amp;eacute; Nossa&amp;quot;. Ou melhor, n&amp;oacute;s vamos invadir sua praia.&lt;br /&gt;
	&lt;br /&gt;
	A experi&amp;ecirc;ncia de viver tudo isso &amp;eacute; o maior dos acontecimentos.&lt;br /&gt;
	&lt;br /&gt;
	Fecho meu texto - meu trabalho- repetindo esta frase, para mim decisiva e compreendedora:&lt;br /&gt;
	&lt;br /&gt;
	&amp;quot;Nada do que aconteceu em Londres nos 30 dias de ocupa&amp;ccedil;&amp;atilde;o &amp;eacute; t&amp;atilde;o ou mais importante quanto o acontecimento em si.&amp;quot;&lt;br /&gt;
	&lt;br /&gt;
	&lt;br /&gt;
	Batman Zavareze&lt;br /&gt;
	Criador e Curador do Festival Multiplicidade - Ano 8.&lt;/p&gt;
      </description>
    </item>
    <item>
      <pubDate>Fri, 03 Aug 2012 17:05:00 +0000</pubDate>
      <title>Dist&#226;ncias Ocupadas</title>
      <link>http://www.riooccupationlondon.com/blogs/1395/view</link>
      <guid>http://www.riooccupationlondon.com/blogs/1395/view</guid>
      <description>
&lt;p&gt;
	&lt;img alt=&quot;&quot; height=&quot;500&quot; src=&quot;/pictures/0010/5180/Occupation217PhotoElliekurttz_wide_750.jpg&quot; width=&quot;750&quot; /&gt;O tempo parece estar condicionado ao limite de 30 dias e todas as horas que o comp&amp;otilde;em. Parece pouco, e os 30 artistas que est&amp;atilde;o trabalhando no Rio Occupation London &amp;nbsp;n&amp;atilde;o param, nem quando dormem, tenho certeza que aos bra&amp;ccedil;os de Morfeu, eles devem estar &amp;ldquo;decupando&amp;rdquo; melhor seus filmes, roteiros, cenas novas, objetos que devem ser inclu&amp;iacute;dos ou retirados, desenhos e poemas, caixas e proje&amp;ccedil;&amp;otilde;es, figurinos, corridas, visitas, musicas e entre outras ocupa&amp;ccedil;&amp;otilde;es mentais.&lt;/p&gt;
      </description>
    </item>
    <item>
      <pubDate>Fri, 03 Aug 2012 13:53:00 +0000</pubDate>
      <title>Festival Finale Programme - DAY THREE</title>
      <link>http://www.riooccupationlondon.com/blogs/1393/view</link>
      <guid>http://www.riooccupationlondon.com/blogs/1393/view</guid>
      <description>
&lt;p&gt;
	&lt;img alt=&quot;&quot; height=&quot;403&quot; src=&quot;https://fbcdn-sphotos-d-a.akamaihd.net/hphotos-ak-ash4/c0.0.403.403/p403x403/432174_10151137964158255_644263194_n.jpg&quot; width=&quot;403&quot; /&gt;&lt;/p&gt;
&lt;h2&gt;
	&amp;nbsp;&lt;/h2&gt;
&lt;h2&gt;
	Today at 18.30 is your last chance to see &amp;quot;Where The Horizon Moves by Gustavo Cir&amp;iacute;aco - don&amp;#39;t miss it!&lt;/h2&gt;
      </description>
    </item>
    <item>
      <pubDate>Fri, 03 Aug 2012 13:19:00 +0000</pubDate>
      <title>So Long, farewell.</title>
      <link>http://www.riooccupationlondon.com/blogs/1392/view</link>
      <guid>http://www.riooccupationlondon.com/blogs/1392/view</guid>
      <description>
&lt;p&gt;
	&lt;img alt=&quot;&quot; height=&quot;375&quot; src=&quot;http://oglobo.globo.com/in/5670335-7d4-e6c/FT500A/Ocupacao-Londres.jpg&quot; width=&quot;500&quot; /&gt;&lt;/p&gt;
&lt;p&gt;
	So, it&amp;#39;s the last day of the Occupation.&amp;nbsp; The artists are big news in the UK and also at home in Brazil.&amp;nbsp; One of the country&amp;#39;s leading papers, &lt;em&gt;O Globo&lt;/em&gt;, carried a big feature on how the artists have captured the imagination and hearts of people in London and the UK.&lt;/p&gt;
&lt;p&gt;
	Here&amp;#39;s a snapshot of what they&amp;#39;ve been up to - wowing art lovers, critics and journalists alike.&lt;/p&gt;
      </description>
    </item>
    <item>
      <pubDate>Thu, 02 Aug 2012 09:57:00 +0000</pubDate>
      <title>Festival Finale Programme - DAY TWO</title>
      <link>http://www.riooccupationlondon.com/blogs/1389/view</link>
      <guid>http://www.riooccupationlondon.com/blogs/1389/view</guid>
      <description>
&lt;p&gt;
	&lt;img alt=&quot;&quot; height=&quot;469&quot; src=&quot;/pictures/0010/4459/Blog_Opener_wide_750.jpg&quot; width=&quot;750&quot; /&gt;&lt;/p&gt;
&lt;p&gt;
	It&amp;#39;s the hottest ticket in town.&amp;nbsp; BAC have a limited number of advance tickets for sale for Friday 3rd August - the Finale finale.&amp;nbsp; There is still space for people at V22 - come to the venue for tickets and you should gain access, if even for a limited duration.&lt;/p&gt;
      </description>
    </item>
    <item>
      <pubDate>Wed, 01 Aug 2012 11:38:00 +0000</pubDate>
      <title>Festival Finale Programme - DAY ONE</title>
      <link>http://www.riooccupationlondon.com/blogs/1386/view</link>
      <guid>http://www.riooccupationlondon.com/blogs/1386/view</guid>
      <description>
&lt;p&gt;
	Please note, all times are as a guide and may be subject to change.&amp;nbsp; Just know that there is plenty to see at all times so come along and wander around the huge arts space where you will discover all the amazing creations of the Occupation.&lt;/p&gt;
&lt;p&gt;
	&lt;img alt=&quot;&quot; height=&quot;506&quot; src=&quot;/pictures/0010/4102/Group_ROL_foto_2_wide_750.jpg&quot; width=&quot;750&quot; /&gt;&lt;/p&gt;
      </description>
    </item>
    <item>
      <pubDate>Tue, 31 Jul 2012 15:00:00 +0000</pubDate>
      <title>In The Comfort of Your Own Home - Cristiane Jatahy's Installation will be running in Gallery 2 at the Festival Finale</title>
      <link>http://www.riooccupationlondon.com/blogs/1339/view</link>
      <guid>http://www.riooccupationlondon.com/blogs/1339/view</guid>
      <description>
&lt;p&gt;
	Several lucky Londoners won the chance to host a Rio artist in their home.&amp;nbsp; See the full installation by Festival Director Cristiane Jatahy during the Festival Finale.&lt;/p&gt;
      </description>
    </item>
    <item>
      <pubDate>Tue, 31 Jul 2012 14:20:00 +0000</pubDate>
      <title>Festival Finale - Day 1 on 1st August at V22 Summer Club</title>
      <link>http://www.riooccupationlondon.com/blogs/1377/view</link>
      <guid>http://www.riooccupationlondon.com/blogs/1377/view</guid>
      <description>
&lt;p&gt;
	Some things to look out for:&lt;/p&gt;
&lt;p&gt;
	&lt;img alt=&quot;&quot; height=&quot;500&quot; src=&quot;/pictures/0010/3941/bruno_1_wide_750.jpg&quot; width=&quot;750&quot; /&gt;&lt;/p&gt;
&lt;p&gt;
	&lt;strong&gt;Look back from the future to where we are now! &lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;
	Bruno Viana will create an art installation in which the public will see the results of a future excavation during the London Olympics 2012 and Rio de Janeiro 2016.&lt;/p&gt;
&lt;p&gt;
	Using irony to subvert the values of archeology that fetishises the &amp;quot;unique&amp;quot;, &amp;quot;authentic&amp;quot; and &amp;quot;original&amp;quot; in an object in order to impose a logical hierarchy of civilizations, Bruno shall create a debate between current and future Rio and London.&lt;/p&gt;
&lt;p&gt;
	An installation with videos, objects and photographs (produced realistically, but contextualized in the future) will invite people to look differently at their relationships with the past of these two iconic and historic cities.&lt;br /&gt;
	&lt;br /&gt;
	Local Producer: Elizabeth Lynch&amp;nbsp; &lt;br /&gt;
	&lt;br /&gt;
	You can find Bruno&amp;#39;s witty and subversive view of what is to come at the &lt;br /&gt;
	Festival&amp;nbsp;Finale at V22 Summer Club.&amp;nbsp; All day on 1,2 &amp;amp; 3 August&lt;/p&gt;
&lt;p&gt;
	&lt;strong&gt;BIO&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;
	Filmmaker Bruno graduated in Cinema and completed a masters in Digital Media at New York University.&lt;/p&gt;
&lt;p&gt;
	A filmmaker with a strong interest in interactive media, Bruno released his first work as a director in 1994 with a short Geraldo Voador, which won awards for best film, best director, best photography and best editing, in addition to widespread praise from 10 international and national cinema festivals including Gramado, Bras&amp;iacute;lia, RioCine, Festival Cinema Festival of Chile and of New york.&amp;nbsp;&lt;/p&gt;
&lt;p&gt;
	With the award for best film with the lowest budget from the Brazilian Ministry of Culture, he directed his first long Cafun&amp;eacute;, launching commercially in digital media and in 35 mm. He released the film based on the Creative Commons licensing rules which means it is free to share via the internet and other mediums.&amp;nbsp;In 2009, Bruno released Ressaca, by mounting the film live in front of the public; an unusual way to premier your work. &lt;br /&gt;
	&amp;nbsp;&lt;/p&gt;
      </description>
    </item>
    <item>
      <pubDate>Tue, 31 Jul 2012 12:02:00 +0000</pubDate>
      <title>Occupation OnScreen - last chance to see at Casa Brasil in Somerset House</title>
      <link>http://www.riooccupationlondon.com/blogs/1376/view</link>
      <guid>http://www.riooccupationlondon.com/blogs/1376/view</guid>
      <description>
&lt;p&gt;
	&lt;img alt=&quot;&quot; height=&quot;508&quot; src=&quot;/pictures/0010/3829/The_dead_girls_feast_wide_750.JPG&quot; width=&quot;750&quot; /&gt;&lt;/p&gt;
&lt;p&gt;
	&lt;strong&gt;4pm &lt;br /&gt;
	&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;
	A festa da menina morta (The dead girls feast)&lt;br /&gt;
	Feature Film&lt;br /&gt;
	Directed by Matheus Nachtergaele&lt;br /&gt;
	Brazil, Portugal, Argentina, 2008. 110 minutes&lt;/p&gt;
&lt;p&gt;
	The Dead Girl`s Feast narrates the story of Santinho, a young man who has been exalted to the position of a saint in a remote riverine community of the upper Amazonas state, after performing a &amp;ldquo;miracle&amp;rdquo; upon the suicide of his own mother. The film seeks to be an intimate picture of the ones who are involved in this sect and of the infinite human capacity of &amp;ldquo;fabricating&amp;rdquo; faith and seeking for some sense in the horrifying experience of death.&lt;/p&gt;
&lt;p&gt;
	&lt;br /&gt;
	&lt;img alt=&quot;&quot; height=&quot;1124&quot; src=&quot;/pictures/0010/3815/Hangover_1_wide_750.jpg&quot; width=&quot;750&quot; /&gt;&lt;/p&gt;
&lt;p&gt;
	&lt;strong&gt;6:30pm&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;
	Ressaca (Hangover)&lt;br /&gt;
	Live Edition&lt;br /&gt;
	Directed by Bruno Vianna&lt;br /&gt;
	Brazil, 2009.&lt;/p&gt;
&lt;p&gt;
	&lt;strong&gt;&lt;br /&gt;
	Followed by Q&amp;amp;A with Bruno Vianna&lt;br /&gt;
	&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;
	Hangover tells the story of a teenager, from the puberty to young adult years, during the late eighties in Brazil, a time when the country was also going through an economic and political adolescence. His family will suffer the consequences of the boom of economic plans, crisis and economic currencies. We believe that the scheme proposed for the project mirrors the social puzzle of those times.&lt;br /&gt;
	&amp;nbsp;&lt;/p&gt;
      </description>
    </item>
    <item>
      <pubDate>Mon, 30 Jul 2012 12:14:00 +0000</pubDate>
      <title>Occupation OnScreen - free screenings at Somerset House at 4pm and 6.30pm</title>
      <link>http://www.riooccupationlondon.com/blogs/1374/view</link>
      <guid>http://www.riooccupationlondon.com/blogs/1374/view</guid>
      <description>
&lt;p&gt;
	&lt;img alt=&quot;&quot; height=&quot;563&quot; src=&quot;/pictures/0010/2716/Camacho_wide_750.jpg&quot; width=&quot;750&quot; /&gt;&lt;/p&gt;
&lt;p&gt;
	&amp;nbsp;&lt;/p&gt;
&lt;p&gt;
	&lt;strong&gt;4.00 pm&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;
	&lt;strong&gt;Riscado (Craft)&lt;br /&gt;
	&lt;/strong&gt;Feature Film&lt;br /&gt;
	Directed by Gustavo Pizzi&lt;br /&gt;
	Brazil, 2010. 85 minutes&lt;br /&gt;
	Presented by representatives from the film&lt;/p&gt;
&lt;p&gt;
	&lt;strong&gt;6.30 pm&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;
	Paulo Camacho shorts&lt;br /&gt;
	&lt;br /&gt;
	&lt;strong&gt;That&amp;rsquo;s that&lt;/strong&gt;&lt;br /&gt;
	(Brasil/Brazil, 2004) &lt;br /&gt;
	35mm, 16min&lt;br /&gt;
	 &lt;br /&gt;
	The film is a blow. Everything is fake: he characters, the plans, the beginning... A game to burn out the ends.&lt;br /&gt;
	&lt;br /&gt;
	 &lt;strong&gt;Dreamzzz&lt;/strong&gt;&lt;br /&gt;
	(Brasil/Brazil, 2005)&lt;br /&gt;
	&amp;nbsp;35mm, 11min &lt;br /&gt;
	&lt;br /&gt;
	Paulo doesn&amp;#39;t dream anymore. He sees his father sleeping and starts his day. Everything seems to be dazed and confused as he tries to figure out where he lost his ability to dream.&lt;br /&gt;
	&lt;br /&gt;
	&lt;strong&gt;Snapshot&lt;/strong&gt;&lt;br /&gt;
	(Brasil/Brazil, 2008)&lt;br /&gt;
	Digital SD, 23min]&lt;br /&gt;
	&lt;br /&gt;
	A film about 5 seconds.&lt;br /&gt;
	&lt;br /&gt;
	&lt;br /&gt;
	&lt;strong&gt;French Kiss&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;
	 (Brasil/Brazil, 2008)&lt;br /&gt;
	Digital HD, 8min&lt;br /&gt;
	&lt;br /&gt;
	A portrait of a couple who faces what has no solution.&lt;br /&gt;
	&lt;br /&gt;
	&lt;br /&gt;
	&lt;strong&gt;Six movements to say goodbye&lt;/strong&gt;&lt;br /&gt;
	(Brasil/Brazil, 2009)&lt;br /&gt;
	Digital HD, 6min&lt;br /&gt;
	&lt;br /&gt;
	&amp;nbsp;&lt;br /&gt;
	&lt;strong&gt;Autumn&lt;/strong&gt;&lt;br /&gt;
	(Brasil/Brazil, 2012)&lt;br /&gt;
	Digital HD, 14min] &lt;br /&gt;
	&lt;br /&gt;
	She is alone. An empty apartment and the floor.&lt;br /&gt;
	&amp;nbsp;&lt;/p&gt;
      </description>
    </item>
    <item>
      <pubDate>Sun, 29 Jul 2012 12:19:00 +0000</pubDate>
      <title>Occupation Onscreen - today at 4pm and 6.30pm at Casa Brasil in Somerset House</title>
      <link>http://www.riooccupationlondon.com/blogs/1369/view</link>
      <guid>http://www.riooccupationlondon.com/blogs/1369/view</guid>
      <description>
&lt;p&gt;
	&lt;img alt=&quot;&quot; height=&quot;422&quot; src=&quot;/pictures/0010/2247/Neverquiet__Film_of_Wonders__1_wide_750.jpg&quot; width=&quot;750&quot; /&gt;&lt;/p&gt;
&lt;p&gt;
	&amp;nbsp;&lt;/p&gt;
&lt;p&gt;
	&amp;nbsp;&lt;/p&gt;
&lt;p&gt;
	&lt;strong&gt;4.00pm&lt;/strong&gt;:&amp;nbsp; Programme of selected shorts&lt;/p&gt;
&lt;p&gt;
	O teu sorriso;&amp;nbsp; &lt;/p&gt;
&lt;p&gt;
	A distra&amp;ccedil;&amp;atilde;o de Ivan; &lt;/p&gt;
&lt;p&gt;
	Algu&amp;eacute;m Tem que Honrar Essa Derrota!; &lt;/p&gt;
&lt;p&gt;
	Dez elefantes; &lt;/p&gt;
&lt;p&gt;
	Inc&amp;ecirc;ndio&lt;/p&gt;
&lt;p&gt;
	&lt;br /&gt;
	Directed by Pedro Freire; Cavi Borges e Gustavo Melo; Leonardo Esteves; Eva&lt;br /&gt;
	Randolph; Karen Akerman e Miguel Seabra Lopes&lt;br /&gt;
	Brazil, 2008-9. 90 minutes approx.&lt;/p&gt;
&lt;p&gt;
	&lt;strong&gt;6.30pm&lt;br /&gt;
	&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;
	Desassossego (Filme das maravilhas)&lt;br /&gt;
	Neverquiet (Film of Wonders) &lt;br /&gt;
	(Brasil/Brazil, 2011)&lt;br /&gt;
	HD, 65min&lt;br /&gt;
	Dir. Helv&amp;eacute;cio Marins Jr, Clarissa Campolina,&amp;nbsp;Carolina Dur&amp;atilde;o, Andrea Capella,&amp;nbsp;Ivo Lopes Ara&amp;uacute;jo,&amp;nbsp;Marco Dutra, Juliana Rojas,&amp;nbsp;Marina Meliande,&amp;nbsp;Caetano Gotardo,Raphael Mesquita, Leonardo Levis,&amp;nbsp;Gustavo Bragan&amp;ccedil;a,&amp;nbsp;Felipe Bragan&amp;ccedil;a, Karim A&amp;iuml;nouz &lt;br /&gt;
	&lt;br /&gt;
	&lt;br /&gt;
	An experimental collective film, compiled from 10 episodes by a total of 14 different young Brazilian filmmakers. Inspired by a&amp;lsquo;letter of concern&amp;rsquo; which have been translated by them into films about love, youth and the possibilities of cinema.&lt;br /&gt;
	&amp;nbsp;&lt;/p&gt;
      </description>
    </item>
    <item>
      <pubDate>Sat, 28 Jul 2012 12:49:00 +0000</pubDate>
      <title>What To Expect At The Festival Finale on 1,2 &amp;amp; 3 August at V22 Biscuit Factory</title>
      <link>http://www.riooccupationlondon.com/blogs/1368/view</link>
      <guid>http://www.riooccupationlondon.com/blogs/1368/view</guid>
      <description>
&lt;p&gt;
	&lt;img alt=&quot;Photo: Ellie Kurtz&quot; height=&quot;500&quot; src=&quot;/pictures/0010/2205/Occupation178PhotoElliekurttz_wide_750.jpg&quot; width=&quot;750&quot; /&gt;&lt;/p&gt;
      </description>
    </item>
    <item>
      <pubDate>Sat, 28 Jul 2012 12:28:00 +0000</pubDate>
      <title>From Spice to Ice: A Frozen Festejar! - by Guest Contributor Hay Brunsdon</title>
      <link>http://www.riooccupationlondon.com/blogs/1367/view</link>
      <guid>http://www.riooccupationlondon.com/blogs/1367/view</guid>
      <description>
&lt;p&gt;
	&lt;img alt=&quot;&quot; height=&quot;1004&quot; src=&quot;/pictures/0010/2198/Brickbox_1_wide_750.jpg&quot; width=&quot;750&quot; /&gt;&lt;/p&gt;
&lt;p&gt;
	From Spice to Ice at The Brick Box was definitely an event not to be missed &amp;ndash; mainly because you could not simply walk past the fa&amp;ccedil;ade of 354 Coldharbour Lane without curiously wandering inside. The exterior wall was painted with thoughts and recollections from people within the Brixton community, and Rio artist Rat&amp;atilde;o Diniz then photographed the large-scale mural created by brilliant illustrator and graffiti artist Mr Dane - mrdane.tumblr.com&lt;br /&gt;
	&lt;br /&gt;
	&amp;nbsp;&lt;/p&gt;
      </description>
    </item>
    <item>
      <pubDate>Sat, 28 Jul 2012 12:15:00 +0000</pubDate>
      <title>Occupation OnScreen - Stories that only exist when remembered  tonight at Somerset House at 6.30pm</title>
      <link>http://www.riooccupationlondon.com/blogs/1366/view</link>
      <guid>http://www.riooccupationlondon.com/blogs/1366/view</guid>
      <description>
&lt;p&gt;
	&lt;img alt=&quot;&quot; height=&quot;1000&quot; src=&quot;/pictures/0010/2177/Histórias_Que_Só_Existem_Quando_Lembradas_2_wide_750.JPG&quot; width=&quot;750&quot; /&gt;&lt;/p&gt;
&lt;p&gt;
	In the village of Jotuomba, where time seems to have stopped for years, Madalena&amp;rsquo;s&amp;nbsp; routine is interrupted by the arrival of a young photographer, Rita. A quiet, sensitve tale about time and memory.&lt;/p&gt;
      </description>
    </item>
    <item>
      <pubDate>Sat, 28 Jul 2012 12:10:00 +0000</pubDate>
      <title>Occupation OnScreen - The Clown at Somerset House at 4pm today</title>
      <link>http://www.riooccupationlondon.com/blogs/1365/view</link>
      <guid>http://www.riooccupationlondon.com/blogs/1365/view</guid>
      <description>
&lt;p&gt;
	&lt;img alt=&quot;&quot; height=&quot;502&quot; src=&quot;/pictures/0010/2170/The_Clown_wide_750.jpg&quot; width=&quot;750&quot; /&gt;&lt;/p&gt;
&lt;p&gt;
	Benjamin and Waldemar are the fabulous clown duo Pangar&amp;eacute; and Puro Sangue. Benjamin is a clown with no identity, social security number or proof of residence. He lives on the road with his caravan accompanied by the Circus Esperanza troupe. Sick of his life, he sets off in an adventure after his dreams.&lt;/p&gt;
      </description>
    </item>
    <item>
      <pubDate>Fri, 27 Jul 2012 15:19:00 +0000</pubDate>
      <title>Occupation OnScreen - &amp;quot;The Absence That Moves Us&amp;quot; at V22 Summer Club at 8.30 tonight</title>
      <link>http://www.riooccupationlondon.com/blogs/1347/view</link>
      <guid>http://www.riooccupationlondon.com/blogs/1347/view</guid>
      <description>
&lt;p&gt;
	&lt;img alt=&quot;&quot; height=&quot;422&quot; src=&quot;/pictures/0010/1624/The_Absence_that_moves_us_1_wide_750.jpg&quot; width=&quot;750&quot; /&gt;&lt;/p&gt;
&lt;p&gt;
	On Christmasʼs Eve, during twelve hours straight and in a single location, five actors were filmed uninterruptedly by three hand-held cameras. The reunion of these five friends, the absences, the joys and the pains are shared by all at the peak of tension. The film within a film reveals itself.&lt;br /&gt;
	&lt;br /&gt;
	&lt;br /&gt;
	&amp;nbsp;&lt;/p&gt;
      </description>
    </item>
    <item>
      <pubDate>Fri, 27 Jul 2012 15:09:00 +0000</pubDate>
      <title>Occupation OnScreen - SouthWest at V22 Summer Club at 6pm</title>
      <link>http://www.riooccupationlondon.com/blogs/1364/view</link>
      <guid>http://www.riooccupationlondon.com/blogs/1364/view</guid>
      <description>
&lt;p&gt;
	&lt;img alt=&quot;&quot; height=&quot;363&quot; src=&quot;/pictures/0010/2156/Southwest_2_wide_750.jpg&quot; width=&quot;750&quot; /&gt;&lt;/p&gt;
&lt;p&gt;
	In a Brazilian coastal village where everything seems motionless, Clarice grasps her life in a single day, unlike those she meets and who are living this day like any other. She tries to understand her obscure reality and the destiny of the people around her in a circular time that haunts and disorients.&lt;br /&gt;
	&lt;br /&gt;
	&lt;br /&gt;
	&amp;nbsp;&lt;/p&gt;
      </description>
    </item>
    <item>
      <pubDate>Fri, 27 Jul 2012 14:59:00 +0000</pubDate>
      <title>Occupation OnScreen - Programme of selected shorts at Somerset House at 6.30pm</title>
      <link>http://www.riooccupationlondon.com/blogs/1363/view</link>
      <guid>http://www.riooccupationlondon.com/blogs/1363/view</guid>
      <description>
&lt;p&gt;
	&lt;br /&gt;
	Picol&amp;eacute;, pintinho e pipa; Ensaio sobre cinema, Handebol; T&amp;aacute;; Duelo antes da&lt;br /&gt;
	noite&lt;/p&gt;
&lt;p&gt;
	&lt;br /&gt;
	Directed by Gustavo Melo, Allan Ribeiro; Anita Rocha da Silveira; Felipe Sholl;&lt;br /&gt;
	Alice Furtado&lt;/p&gt;
&lt;p&gt;
	&lt;br /&gt;
	Brazil, 2007-10. 90 minutes approx.&lt;/p&gt;
      </description>
    </item>
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